CALENDAR GIRLS. ENCORE PERFORMING ARTS. THE DUCHESS THEATRE, LONG EATON

Encore Performing Arts’ latest production of Calendar Girls at the Duchess Theatre in Long Eaton is a warm, funny and quietly powerful piece of amateur theatre that wears its heart proudly on its sleeve. Based on the beloved Miramax motion picture by Juliette Towhidi and Tim Firth, the play tells the true story of a group of women from the Knapeley Women’s Institute who decide to raise money for a local hospital by producing a calendar with a twist: tasteful nude (definitely not naked) photographs of themselves.

What begins as a modest fundraising idea in memory of Annie’s husband John, who has died of leukaemia, soon becomes a national sensation. The women, all of whom are dealing with personal struggles, find courage and friendship in the process. The production remains faithful to the original storyline, and as the performance unfolds, the emotional depth and humour of the piece grow stronger.

At the heart of the story are Chris and Annie, played with real conviction by Mina Holtom and Lizzie Norris. Chris, a local florist, is bold and impulsive, while Annie is more reserved, still reeling from the death of her husband. Their friendship anchors the story and the tension that arises when Chris begins to enjoy the spotlight is handled well. Holtom and Norris bring warmth and authenticity to their roles, capturing the complexity of grief, ambition and loyalty.

Martin Holtom gives a touching performance as John, Annie’s husband, using humour to soften the harsh reality of terminal illness. His scenes are moving and his presence lingers throughout the play, reminding us of the calendar’s true purpose.

The other calendar girls shine as well. Sandy Lane as Cora, the vicar’s daughter and single mother, balances sass and vulnerability with ease. Angela Walters as Jessie, the retired schoolteacher, is a delight, especially in moments where she defies ageist assumptions with sharp wit and dignity. Kathryn McAuley’s Celia brings a glamorous edge to the group, while Milly Bould’s Ruth is quietly heartbreaking as a woman grappling with her husband’s infidelity and her own self-worth.

Even Marie, the WI chairwoman (played by Alex Taveber), who initially opposes the calendar becomes more likeable. Her transformation from rigid traditionalist to reluctant supporter is well played. Her backstory, along with the others, adds a layer of empathy that enriches the ensemble.

The male cast members also deserve recognition. Simon Parker as Rod, Chris’ supportive husband, and Kheenan Jones as Lawrence, the photographer who captures the calendar images, both contribute to the humour and heart of the production. Their interactions with the women are respectful and well judged, never overshadowing the central female narrative.

Directors Adam Guest and Katie Bird have made some thoughtful choices in staging. The calendar photoshoot scene is handled with charm and tact, striking the right balance between cheekiness and dignity. The cast’s willingness to embrace the challenge with confidence and humour is commendable. Another standout moment is the reading of the letters sent to the calendar girls, which is nicely staged. The cast stands still as they read the messages from people affected by cancer, allowing the audience to absorb the emotional weight of their impact.

The final scene, in which the cast brings giant sunflowers onto the stage and turns them to reveal photographs of loved ones who have faced cancer is moving. It’s a simple but powerful gesture that ties the production’s themes together and reminds us of the real-life inspiration behind the story.

This production is not only entertaining but also meaningful, raising funds for two local charities: Treetops Hospice and Every Cloud. The programme itself doubles as a calendar, with proceeds going directly to these causes. It’s a lovely touch that reinforces the community spirit at the heart of the show.

Calendar Girls by Encore Performing Arts is a heartfelt celebration of friendship, resilience and the power of ordinary women doing something extraordinary. It’s a thoroughly enjoyable evening that leaves you smiling. Runs until 20th September at The Duchess Theatre.