The Pembrooke Players and Curtain Call Collective production of Pride and Prejudice at the ADC Theatre demonstrates both the enduring appeal of Jane Austen’s beloved novel and the challenges of adapting it for the stage. This ambitious undertaking remains refreshingly faithful to the source material, preserving the wit and social commentary that make the original so compelling. The piece is adapted from the novel by Andrew Davies.

Production photos by Paul Ashley.

The production’s greatest strength lies in its musical accompaniment. The ensemble of three violins, viola, cello and conductor creates a lovely soundscape that perfectly captures the Regency period’s elegance. The music weaves seamlessly through the action, enhancing rather than overwhelming the drama. Musical director for this production is Gabriel Owens.

The seventeen strong cast deliver commendable performances . While they may lack the polish of more experienced actors, there’s an earnestness and energy that serves the material well. The central romance between Elizabeth (Elizabeth Peni Brooks) and Mr Darcy (Jacob Mellor) develops convincingly, with both actors capturing the character dynamics that drive Austen’s plot.

However, the production stumbles in its direction and staging. The decision to break the story into numerous short scenes creates a choppy, fragmented experience that undermines the narrative flow. Lengthy set changes between these brief moments test audience patience and dissipate dramatic tension. More problematically, basic staging errors – such as Jane ( Emily Shelley) remaining visible on stage after we’re told she has departed for London – suggest insufficient attention to detail in the production process.

Mary Bennet (Sunaya Mueller) receives a particularly odd interpretation that feels inconsistent with both the character and the production’s otherwise faithful approach. Her transformation from sanctimonious moralist to shameless pursuer of Mr Collins (Harry Davies) creates jarring tonal shifts that distract from the main story.

While this Pride and Prejudice suceeds in bringing Austen’s world to life with genuine affection for the source material, it falls short of theatrical cohesion. The beautiful music and sincere performances cannot quite overcome the directorial missteps that prevent this from being the polished adaptation it aspires to be.